Posts by Author: Dave Kobrenski
Kalani Das and Dave Kobrenski
This past month, I had the pleasure of chatting with Kalani Das for his World Drum Club channel. We chatted about music and drums (of course!) but also about social and cultural issues, the challenges and benefits of learning the djembé, and lots more. Check out the full interview here.
A melodic tribute and study guide
Music Feb 18
The song “Kedjula Kanin” appears on Mamady Keïta’s album, Mandeng Djara, and features an exquisite arrangement and performance. Here is my own recording and study guide to the accompanying song, featuring flute, ngoni, and calabash. Includes Malinké lyrics and English translation.
Original Song by Afroflute
In the village of Fadama, the ancient traditions of the Malinke People dance among the living and breathe fresh air each day. Here, stories and songs take the place of textbooks for passing down a rich oral history that spans centuries. It is the griots who keep this living history alive, and Fadama’s population is comprised largely of griot families. As such, this unassuming little village has long been renowned as a place of knowledge, and dedicated to the dissemination of oral histories through the collective work of countless generations of griots.
In this engaging mini-documentary, Dave Kobrenski shares his two-decade musical and artistic journey in West Africa. Under the tutelage of master musicians like Famoudou Konaté and Lanciné Conde, Dave became proficient in the djembé, Fula flute, and kamale ngoni. But the real lessons were far greater than that. Join Dave on his adventure into culture, healing, and the stories that inspired his latest book, “Finding the Source.”
Dec 15 2021
Musical collaboration with Slovakian musician, Martin Balaj. This is a modern rendition of the traditional song Awa Dabolé.
Video with English translation
Video: For the Malinké people of Guinea, Kassa is the name of a family of rhythms and dances that accompany the work related to farming and harvest. The rhythms are played on the traditional djembe and dunun drums. Watch this video (with English translation) here.
Artwork Aug 26 2016
This drawing is part two of the Dembadon series. The Dembadon is a pre-marriage festival for the bride-to-be that is quite common in Conakry, Guinea, accompanied by much drumming, singing, and dance. The djembe is the drum played with bare hands that typically plays the “solos” that interact with and speak to the dancers. A djembefola is “one who makes the djembe speak.” Behind the djembe player in this drawing is also the dununba player. The djembes are always accompanied by three “dunun” drums (the bass drums played with a stick and that have a bell mounted on top). The dununba is the largest and deepest of the three dunun drums. This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. Dembadon II: the Djembefola 19x24” pencil on bristol by Dave Kobrenski
Rediscovering my Muse in Africa
Artwork Aug 12 2016
In 2001 I first ventured onto the African continent as a wide-eyed white kid from New Hampshire who had, by a series of strange twists of fate, become very much involved in the music and culture of sub-Saharan Africa. Little did I know that this would only be the beginning of a larger adventure…
Artwork Aug 10 2016
This drawing is part one of the Dembadon series. The Dembadon is a pre-marriage festival for the bride-to-be, and is quite common in Conakry, Guinea. The festival features much drumming, singing, and dance. At the Dembadon, the bride-to-be is honored, and it is a time for her to celebrate with friends and family, and, in some cases, say goodbye to them as she goes to start her new life with her new family. In this drawing (part one of a three-part series), I’ve depicted the sangban player at a Dembadon festival. “Sangban” is the name of middle of three drums in the set of dununs (bass drums), and sangbanfola means “one who makes the sangban speak” — and is a generally compliment to the abilities and competence of the player! In the capital city of Conakry, Dembadon festivals are an important part of how musicians earn an income playing traditional music. The musicians are fed before the event in a communal meal, and during the festivities, money is thrown to (or placed on!) the drummers and dancers, and is collected at the end of the festival to be split up equally by the musicians. Usually lasting several hours, the festivities are led by the exuberant singing of the griottes, accompanied by the full ensemble of drummers (djembe, dununba, sangban, and kenkeni drums). The music played during the Dembadon is usually in the family of Soli rhythms, but nowadays it is quite common to also hear rhythms in the dununba family — the dance of the strong men — and danced by everyone! This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. Dembadon I: the Sangbanfola 19x24” pencil on bristol by Dave Kobrenski
New Artwork & Drawing Tutorial
Artwork Jul 24 2016
In the Malinké tradition of West Africa, the Dununba is the “dance of the strong men”. In a grueling and exuberant festival that can often last throughout the day, the Dununba dancers display their physical prowess while accompanied by the traditional djembe and dunun drums. Here is the latest drawing from my series depicting Mandinka culture in West Africa: a dununba dancer hailing from the Kouroussa region of Guinea gets airborne! This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. Dununba Dancer in Flight 19x24” pencil on bristol by Dave Kobrenski
Drawing by Dave Kobrenski
Artwork Jul 11 2016
“L’amitié est l’un des beaux cadeaux de la vie” — Friendship is one of the greatest gifts in life. Friendship is a universal thing. There’s something about visiting another culture, where the language and customs seem so different from your own, and seeing two friends walking together, hands interlocked and beaming with joy, to make you realize that we are all the same. I came across these young friends walking down one of the dusty paths in the village. Even though we did not speak the same language and had grown up an ocean apart, in some way I felt connected to them because I understood how friendship feels; it’s a feeling we can all experience and share. A real friend can make all your troubles seem small and the world feel brighter. “To be without a friend is to be poor indeed.” The people in this simple village have a great wealth of friendship and family. All the money and material possessions we have in the West pale in comparison. This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. L’amitié (Friendship) 14x17” pencil on bristol by Dave Kobrenski
Pencil & graphite powder on bristol
Artwork May 11 2016
As part of an ongoing series of portrait drawings that I began during my 2016 trip to Guinea, West Africa, I present to you the latest drawing in the series, titled: Ibrahim et son petit-fils, featuring a friend of mine from a village near Kouroussa. Ibrahim is a friend of mine from a small village in the Kouroussa region of Guinea. Something about him fascinated me. He had an aura of knowing something, or perhaps seeking to know something that was just beyond knowable. His eyes always held a faraway look, but also had a glimmer and a light. He’s lived quite the life, and told me many stories. He left the village when he was younger in search of work, and spent 15 years as a merchant marine, and saw the world…before returning home to the village to be with his family. He was worldly and kind; children always flocked to him. This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. Ibrahim et son petit-fils 14x17” pencil on bristol by Dave Kobrenski
Drawing Process and Tutorial
Artwork May 2 2016
For the Malinké, dancing plays a very important role. Music exists for dancing; in fact the word for song, donkilo, is made up of the root words don (dance) and kilo (to call), so could be loosely translated to “come dance.” The music calls both young and old to participate in a joyful and healthy act of expression and joy. Here, a griotte woman shows her joy for the music at one of the many festivals that take place throughout the year. The drawing below is 14x17” pencil and graphite powder on bristol board, and was a great opportunity to do a portrait study and attempt to capture the personality and joy of a woman dancing in a village in Guinea, West Africa. Below, I outline some thoughts and challenges I encountered along the way. I hope you enjoy and find this useful! This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. La Griotte II 14x17” pencil on bristol by Dave Kobrenski
Drawing Process and Tutorial
Artwork May 1 2016
In the villages in Guinea, much of daily life revolves around tasks related to subsistence farming. Rice, manioc, sweet potatoes, yams, and many other dietary staples are grown in the village. The work is hard, and it is not uncommon to see both young and old at work in the fields. Here, a man sorts through beans that will be sifted and then pounded with the mortar and pestle, and made into that evening’s stew… Le Vieux Fermier is 14x17” pencil and graphite powder on bristol board, and depicts a farmer in a village in the Kouroussa region of Guinea, not far from the Niger River. This drawing had many challenges, as you will see below. Enjoy! — DK This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. Le Vieux Fermier 14x17” pencil on bristol by Dave Kobrenski
Drawing Process and Tutorial
Artwork Apr 26 2016
At festivals in the village, which were almost always accompanied by much drumming and dancing, the women of the village were always singing and playing their karignon — a hollow tube of metal tied to their finger and stuck rhythmically with a striker. Dozens of these bells played together by many women, with their joyous singing and the exuberant sounds of the traditional djembe and dunun drums, forms quite a powerful musical ensemble. This artwork is included in my book Drawing on Culture: An Artist’s West Africa Travelogue, which is available to purchase here. Belle Femme Du Village 14x17” pencil on bristol by Dave Kobrenski
How a 40,000 year old flute leveled the playing field
Sometime between 40,000 and 45,000 years ago, a group of early humans on a migration route out of Africa, along the corridor of the Danube River valley, carried with them a small but significant object: a flute. Carved from the bone of a griffon vulture, with…