At festivals in the village, which were almost always accompanied by much drumming and dancing, the women of the village were always singing and playing their karignon — a hollow tube of metal tied to their finger and stuck rhythmically with a striker. Dozens of these bells played together by many women, with their joyous singing and the exuberant sounds of the traditional djembe and dunun drums, forms quite a powerful musical ensemble.

This post is a part of my “Visual Anthropology: West Africa” series, made possible by support from my awesome patrons on Patreon.

Belle Femme Du Village
14x17” pencil on bristol by Dave Kobrenski
from my series depicting the people and culture of Guinea, West Africa

Finished Drawing

A lot has happened between Step 4 and here, and it got pretty intense! There was a lot of pushing and pulling of values, especially in the background. The goal here was to make sure that the all the parts work together as a whole, and that the drawing maintained a good focal point. That meant not being afraid to push the values of certain areas (her headdress, for example) well into shadows so it didn’t compete with the rest of the drawing. Finally, lots of cleaning up of edges and pulling out highlights where needed. In this final stage, I use graphite powder with a paintbrush, and a kneaded eraser, to push and pull value ranges darker and lighter.

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